Despite doing an English degree and so having spent many hours of my life immersed in the Bard’s iambic pentameter, I had, until last week, never seen Julius Caesar on stage. In fact, my encounters with the play had never got beyond a grainy Marlon Brando proclaiming in a toga. Luckily, Nicholas Hytner’s superb new production at the Bridge Theatre was worth waiting for.
The current political climate has led, inevitably, to a spate of modern stagings of Shakespeare’s text, the most infamous being the 2017 production at the Public Theater in New York, which portrayed Caesar as a swaggering politician in an unmistakable blonde wig. This production, too, is set in the 21st Century but by combining bold staging with nuanced, clearly delineated performances, it retains a subtlety and emotional punch that sets it apart from recent reincarnations.